Follow
-
Share
Recent Releases
Gulliver's Travels (1.5/5)
Rabbit Hole (4.5/5)
Yogi Bear (1/5)
The Fighter (3.5/5)
Love and Other Drugs (2.5/5)
Faster (4/5)
The Next Three Days (3/5)
127 Hours (3.5/5)
For Colored Girls (0/5)-
Recent Posts
Recent Comments
Tags
Amy Adams Angelina Jolie Anne Hathaway Cameron Diaz Carey Mulligan Daniel Radcliffe Darren Aronofsky David Fincher Dwayne Johnson Edward Norton Elizabeth Banks Emily Blunt Emma Watson Gary Oldman George Clooney Gwyneth Paltrow Jack Black Jake Gyllenhaal James Franco Jason Bateman Jason Segel Jason Sudeikis Jesse Eisenberg John C. Reilly Johnny Depp Joseph Gordon-Levitt Julia Roberts Mark Wahlberg Matt Damon Michael Bay Michelle Williams Mila Kunis Natalie Portman Owen Wilson Paul Rudd Reese Witherspoon Robert De Niro Robert Downey Jr Ryan Gosling Sam Worthington Seth Rogen Steven Soderbergh The Avengers Tom Cruise Twilight: Breaking DawnCategories
Daily Archives: November 6, 2011
AFI Fest Review: ‘The Lady’
Rating: 4.5/5
Starring Michelle Yeoh as Burmese political activist Aung San Suu Kyi, “The Lady’ isn’t just Luc Besson’s return to directing and American audiences after a not-inconsiderable 5-year absence spent directing animation and one live-action film that never even opened in America, nor is it just a suitably big-budget companion piece to the underground (in this case, quite literally, and at risk to people’s lives) documentary “Burma VJ.” It is also, in its own right, a stirring example of what happens when a talented filmmaker creates a vision of politics and activism in the here-and-now. This isn’t “Mississippi Burning,” or “The King’s Speech” — history held at arm’s length in big letters, so you can read it with weary eyes. “The Lady” is sweeping and big, full of violence and strong statements, but it also takes place in a white-hot now, real as gunpowder or swear; it makes being a liberal citizen — voting, speaking, assembling peacefully — into a set of tasks as challenging, or as dangerous, as anything in some fantasy action film. Think of it as a pacifist companion piece to Besson’s “La Femme Nikita,” where violent men are opposed by a strong woman, and a human one, with nothing stronger — and nothing more dangerous — than the rights of free humans and the conviction that they’re doing the right thing.
